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About
Atelier Edogawa
Many
Japanese anglers regard Edogawa II a prodigy of rod crafting for his
considerable aesthetic tastes (enhanced through being a sculptor,
painter, and magician). He has left great footsteps in the fishing
industry. His works were considered artworks, though them being
industrial crafts, and Chiyoda-Ward in Tokyo granted him the title
of an intangible cultural asset.
Edogawa III, being a calligrapher and qigong master, had put much effort into administering the fairness of quality in
Japanese fishing rods ever since the National Fishing Rod Fair Trade
Conference (former Japan Glass Rod Industrial Society) was found in 1956.
The Fair Trade Commission of The Japanese Government finally
awarded him for his effort representing all the Japanese fishing rod
manufactures. Currently,
Atelier Edogawa is the only fishing rod brand recognized as Japanese
traditional craft manufacture by the Ministry of Economy, Trade and
Industry. Young Edogawa
IV, American footballer, pours his tough energy in export including,
China, Hong-Kong, Taiwan and Korea. Edogawa craftsmen also thought
out the rod designing method, so called “Blend Magic”, in the
balance of composite cushioning glass fiber and sensitive carbon
graphite fiber material. By this method, anglers are always
favorably impressed with the taste of enjoyable fishing.
Also, the method adopts in such as Japan’s
“Hera-fishing” (hera is similar to “Crucian Carp”), which
high tensile carbon prepreg (Toreyca etc) is required.
Those materials are called“Hoso-Karu-Pin
(super fine stroke, light, sensitive)”series
or “Kongou (named after Japanese term of diamond)”. The actions
of those materials gain Japanese anglers` trust.
・Right: Edogawa III
(far left) as the President of the National Fishing Rod Fair Trade
Conference at opening ceremony of Osaka Fishing Show 2006.
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・Above: A certificate shows
that Japanese
traditional craft manufacture by the Ministry of Economy, Trade and
Industry.
・Below:
Edogawa craftsman hardening bamboo with charcoal.
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